The critics at Metacritic and Rotten Tomatoes seem to like "Happy End" quite a lot but it has only gathered 5 different movie award nominations and has won nothing. No lo parece. Además, los supuestamente terribles secretos familiares son tratados con una superioridad moral por parte del director que nos hace alejarnos de la obra. Yet here there is an intriguing new tang of comedy or even grisly farce. 8/10. Prueba Prime Hola, Identifícate Cuenta y listas Identifícate Cuenta y listas Pedidos Suscríbete a … 'HAPPY END' tiene la frialdad y crueldad de Haneke, pero en esta ocasión, aborda demasiados temas con la burguesía como fondo, y le queda algo deslavazado el asunto. This is the eerily self-possessed and computer-savvy Ève (Fantine Harduin) whose mother is now terribly ill in hospital after a drug overdose, the cause of which is queasily unclear. Happy End is no exception. Anne’s drunken deadbeat son Pierre (Franz Rogowski), supposedly a site supervisor, has through negligence allowed a catastrophic accident which puts the firm in line for a huge civil suit. 40 de 49 usuarios han encontrado esta crítica útil. And yet when it came, the entire audience in my screening gave a dismayed yelp. Título original: Happy End. Quizá como metáfora de algo, Haneke ya está jugando con nosotros, convirtiéndonos en “voyeurs”, uno de sus pasatiempos favoritos. And behind all this, the refugees trudge the streets of Calais, waiting to make another attempt at the tunnel. Tim Robey, Film Critic 30 November 2017 • … Happy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. Inevitably, perhaps, this comes from Huppert. He is suffering from incipient dementia, and is waited on like a dispossessed Shakespearean king by the family’s Moroccan servants Rachid (Hassam Ghancy) and Jamila (Nabiha Akkari) – who are periodically subject to racist condescension. Vea reseñas y calificaciones de reseñas que otros clientes han escrito de Happy End en Amazon.com. Cannes Film Review: ‘Happy End’ If there weren’t already a film called 'Loveless' in competition at Cannes, that would have made an apt title for Michael Haneke's cynical 'Amour' follow-up. ¿Te ha resultado interesante y/o útil esta crítica? Happy End is far from Haneke's best work, yet it still succeeds in forcing audiences to confront -- and uncomfortably consider -- the dark side of human nature. Meanwhile, Anne’s brother Thomas (Mathieu Kassovitz) has secrets of his own and must now look after the 12-year-old daughter of his previous marriage and accept her into their creepy manorial family compound. Happy End is a Haneke mega mix, and the haters are very much gonna hate. — First review of this album — It's funny, that this album "Happy End (aka Yudemen)" was my second Japanese rock album in those days I'd been immersed in British and American rock scene. Happy End review – gallows humour for all the family. Sinopsis: La película gira en torno a una familia burguesa que posee una empresa en Calais, al lado de los campamentos donde viven miles de refugiados. One character’s face is in fact never shown clearly at all – a diabolically apposite device. No se profundiza en la trama de cada personaje, durante casi dos horas saltamos de un miembro de la familia a otro sin que tengamos la sensación de avanzar en el relato. Hay temas que Haneke ya había tratado con maestría en sus obras anteriores: el suicidio en El séptimo continente, las fantasías sexuales de La pianista... Ni siquiera el que parecía el tema principal, los refugiados, se representa como debería, reducido a una escena que utiliza a los inmigrantes de forma anecdótica, sin implicación del director en el problema. But the genre is that of Haneke’s own invention. ‘Happy End’ talks back to almost all of 75-year-old Haneke’s previous films, so much so that it feels like a career epilogue. There is the distinctive preoccupation with surveillance and video recording as technologically unsparing moral reproaches to what we choose not to see in our own behaviour. The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them, Last modified on Thu 30 Nov 2017 10.28 GMT. It has an … Saltar al contenido principal. But there is something irresistible about the director’s hostile precision and the way in … Igual de aquí unos años urge una reconsideración de Happy End, una película que nos inquieta a la vez que nos divierte, como pasa casi siempre con los retratos agrios de la clase burguesa. Michael Haneke’s new film finds dark wit in assisted suicide, overdoses and the refugee crisis. One scene shows the entire cast, at a grand family party, listening to a musical performance which – even without what we know about the musician – would be preposterous, reeking with imposture and deceit. Lo que sucede es que eso no es necesariamente malo: como observador de la realidad, Haneke ha acabado incluyéndose dentro de ese amplio panorama que observa, y plantea 'Happy End' como un greatest hits de sus temas recurrentes. Happy End is the most recent and brilliant chapter of an ideological and cultural journey on the decadency of the bourgeois society in Europe. He’s concocted a plot just busy enough to distract from these worn cynicisms and a set of characters too enigmatic to dismiss as mere chess pieces off the bat, but by the end, Happy End reveals itself as something vacuous and cold, a bizarrely seductive pseudo-thriller lacking a … El desconcierto está también en esa imagen sostenida de un solar en construcción, una de cuyas partes se viene abajo de manera súbita. Happy End review: even with a Sia number, Michael Haneke's latest outrage feels shockingly familiar 3. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. No sería la primera vez que nos topáramos en una película de Haneke con algo que de repente se desmorona sin que previamente mediara un motivo aparente para ello. Así podría resumirse "Happy End", una película que funciona como compendio de toda la filmografía de Michael Haneke y al mismo tiempo como una autoparodia de su estilo. © 2002-2021 Filmaffinity - Movieaffinity | Filmaffinity es una página de recomendación de películas y series, y es un medio totalmente independiente cuya principal prioridad es la privacidad y seguridad de los datos de sus usuarios. It was released in the United States on 22 December 2017 by Sony Pictures Classics. 2017 Drama Film Happy End Movie Review. Isabelle Huppert plays Anne Laurent, effectively the chatelaine of a magnificent house and estate in Calais, having taken over the lucrative family construction and transport business from her ageing father Georges (Jean-Louis Trintignant). One thing that “Happy End” does have in common with its predecessors is the high level of quality performances. Happy End can be considered a pretentious, somber, provocative and certainly ambitious film. There is comedy in Happy End, of the most glacial sort. /. Anne herself is getting engaged to the British lawyer handling a new UK deal: Lawrence, played by Toby Jones. It hardly needs saying that the adjective in the title is about as accurate as the one in Haneke’s Funny Games. Lea reseñas de productos sinceras e imparciales de nuestros usuarios. Happy End is a 2017 drama film written and directed by Michael Haneke.It stars Isabelle Huppert and Jean-Louis Trintignant, who had also played daughter and father in Haneke's 2012 film Amour.It was selected to compete for the Palme d'Or in the main competition section at the 2017 Cannes Film Festival. An honesty and realism I find in happy End, of the most and. End that American films with similar themes lack for this film-maker, admittedly, but an existing direction with. Muy incondicionales del cine de Michael Haneke ’ s new film finds dark wit in assisted suicide, and... 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