Bartoli's solo is beautiful in a show-offy self conscious sort of way. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. Maurice Duruflé completed his Requiem in 1947, although he had accepted a commission for this work in 1941 by the collaborationist Vichy Regime in France. By Jean-Jacques Gruenwald Jeremy Backhouse & Vasari Singers. I have 17 versions and this I rate at No, 5. A Refreshingly Elegant Performing Stance on Two Important Requiems, Reviewed in the United States on October 9, 2005. Jonathan Oldengarm (organ), Philippe Sly (baritone), Julie Boulianne (mezzo-soprano), Elinor Frey (cello) Choir of the Church of St. Andrew and St. Paul, Les Petits Chanteurs du Mont-Royal, Jean-Sébastien Vallée Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. Duruflé: Requiem ‎ (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. Chung adopts a hushed and reverential tone throughout the piece. Preview. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . Both eschew the “Dies irae”; both include a “Pie Jesu” (for soloist), “Libera me,” and “In paradisum”; both use a baritone soloist for the “Offertory” and “Libera me.” Good Durufle. durufle_requiem_smc_2020-_walker_notes.pdf: File Size: 3351 kb: File Type: pdf: Download File. DG's recording is one of the best digital CDs I've heard from them. San Francisco, CA Disabling it will result in some disabled or missing features. Anchoring the album is the monumental Requiem by Maurice Duruflé, in the rarely-recorded voices with organ version.The Requiem is paired with a cappella motets and spirituals to present a variety of expressions about the power of heaven.. Check out Duruflé: Requiem - In paradisum by Orchestra dell'Accademia Nazionale di Santa Cecilia & Myung-Whun Chung & Coro dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani & Daniele Rossi on Amazon Music. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Roman Catholic burial service.It is sung by the choir as the body is being taken out of the church. In paradisum (Live), an album by Maurice Duruflé, University of Northern Iowa Concert Chorale, University of Northern Iowa Varsity Men's Glee Club, John Wiles on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. HIGHLY RECOMMENDED. Chung adopts a hushed and reverential tone throughout the piece. Good Durufle. I have 17 versions and this I rate at No, 5. You can still see all customer reviews for the product. Once described as a "lullaby of death," Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. DG's recording is one of the best digital CDs I've heard from them. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. 2009 Preview SONG TIME Requiem: Tu Es Petrus. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. Files "cleaned" originally Maurice Durufle Requiem . I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. The real problem is Terfel, who belts out "Libera me" as though he were leaning into a Puccini solo in full force. French composer Maurice Duruflé's Requiem (Opus 9) for chorus and organ will be featured at the Northwest Choral Society's ("NWCS") concert, "In … I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. A few light surface marks, disc plays fine. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet he is also keenly sensitive to the agnostic composer's essentially sensuous textures (listen to the dark amber interweaving of inner string lines in the Offertorium), thereby escaping the potential sentimentality that sometimes pits Fauré's vision unfavorably against the robust fire and fury of Verdi's Requiem. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. This recording is too seldom any of those things for very long. Please try again. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. 9: III. 9 ‎ (CD) Sony Classical SBK 67182 There was an error retrieving your Wish Lists. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. Listen on Apple Music. In Paradisum. Eventually, per his self-criticism, he wrote three versions of the score, and for flexibility in the orchestral version, he … Your recently viewed items and featured recommendations, Select the department you want to search in. Reviewed in the United States on January 12, 2020. This is Faure with star power, and the result is painful, to my ears anyway. It also analyzes reviews to verify trustworthiness. She has a great voice certainly, but this music would be better suited to a more restrained performance. 500,000th Hit: November 2006 The Requiem, Op. Cecilia Bartoli's rendition of the Pie Jesu will stop you in your tracks (simply one of the most achingly beautiful examples of her artistry), while Bryn Terfel uses the rich resonance of his baritone to powerful effect. 1. Reviewed in the United States on June 15, 2000. Duruflé: Requiem ‎ (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Anytime, anywhere, across your devices. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. Domine Jesu Christe By Maurice Duruflé English Chamber Orchestra , Thomas Allen , Corydon Singers , Matthew Best Stream ad-free or purchase CD's and MP3s now on Amazon.com. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. The artists are wonderful singers, but, the pace of the performance seems too slow and slightly pedestrian. 9 at Discogs. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. Duruflé: Requiem, Mass, "Cum Jubilo", Notre Pere Voices of Ascension Chorus Classical 1995; Listen on Apple Music. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. 48 / Requiem, Op. But one could learn to live with her interpretation, I suppose. Reviewed in the United States on January 12, 2020. Sadly, this recording is no exception. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé.Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. But one could learn to live with her interpretation, I suppose. 35:23 - IX. Valerie the music teacher, Reviewed in the United Kingdom on May 14, 2015, Arrived in time - music as you would expect, Reviewed in the United Kingdom on February 14, 2016, The CD does not seem to have the full reuiem. In Paradisum In 1947, Maurice Duruflé was already working on a suite of pieces for organ based on the Gregorian chants for the requiem mass (the service for the dead), when he was commissioned by his publisher Durand to write a large-scale work based on those texts. Saint Brigid School Honor Choir Cathedral Choir Cathedral Schola Cantorum Coro Hispano. Reviewed in the United States on January 3, 2008. Reviewed in the United States on June 15, 2000. Reviewed in the United Kingdom on May 28, 2016. Try as I might, I cannot listen to it. Complete your Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris collection. Enjoy millions of the latest Android apps, games, music, movies, TV, books, magazines & more. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. Unable to add item to List. There's a problem loading this menu right now. Atma: ACD22779. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. It also analyzes reviews to verify trustworthiness. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. Though soloists appear in only six out of 16 movements in all, having star singers certainly adds to the attractions, when both Cecilia Bartoli and Bryn Terfel sing with fervour, bringing out the word-meaning dramatically to defy any idea that these are just sweetly reflective pieces. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant.The Requiem was first published in 1948 by Durand in an organ version. Please try again. Requiem, Op. In Paradisum 3:36: 8 Cantique de Jean Racine By Gabriel Fauré - Trinity College Choir, Cambridge, London Musici & Richard Marlow 4:57: Quatre Motets By Maurice Duruflé - Trinity College Choir, Cambridge, London Musici & Richard Marlow 8:25: 9 Ubi caritas 2:31: 10 ... (Fauré Requiem) and (P) 1990 Conifer Records Limited; Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. The real problem is Terfel, who belts out "Libera me" as though he were leaning into a Puccini solo in full force. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. A Refreshingly Elegant Performing Stance on Two Important Requiems, Reviewed in the United States on October 9, 2005. I couldn't hear two-thirds of the damned thing. Our debut recording, In Paradisum, was released in 2012. Faure's sense of "celebration" of life is eclipsed by solemnity that I find tedious. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. 48 / Requiem, Op. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis, Reviewed in the United States on January 9, 2009. —Cor anglais 16 22:11, 5 February 2007 (UTC) But 1950 for the version with orchestra is nonsense, isn't it? A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. By Jean-Jacques ... Requiem: In Paradisum. She has a great voice certainly, but this music would be better suited to a more restrained performance. In this regard, Chung's choice of soloists is ideal. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. Here is a "clickable" Table of the available Midi Files for this Work (this version has an "orchestral" backing; if you want an "organ" version, it's here).Note that, for the most part, where a Voice is, in the Work, split into two, the relevant Files have been correspondingly divided. While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and Duruflé Requiems will find much to love here. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. HIGHLY RECOMMENDED. This page works best with JavaScript. Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis. ) Discover releases, reviews, track listings, recommendations, and more about Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris - Requiem, Op. In short, two performances to treasure. Listen to Faure: Requiem & Durufle: Requiem by Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James Morris, Judith Blegen & Robert Shaw on Apple Music. Reviewed in the United States on January 9, 2009. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. The text of the In paradisum — with or without the Gregorian melody itself — is sometimes included in musical settings of the Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé PDF Score. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. ) I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. Sometimes the orchestra eclipsed the solo voices. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. This is Faure with star power, and the result is painful, to my ears anyway. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Bartoli's solo is beautiful in a show-offy self conscious sort of way. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. There's a problem loading this menu right now. Fauré*, Duruflé* - Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, The Ambrosian Singers, Philharmonia Orchestra, Andrew Davis - Requiem, Op. The Requiem was composed in 1947, and if I am not mistaken, the orchestral version is the original one. The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. Reviewed in the United Kingdom on May 28, 2016. --Thomas May. Choirs. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. TITLE TIME; Requiem, Op. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. Fauré & Duruflé: Requiems. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Reviewed in the United States on January 3, 2008. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. The Requiem (Duruflé) article is correct: all three versions contain an organ part, which is very difficult indeed in each case. In short, two performances to treasure. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. Our payment security system encrypts your information during transmission. 1,000,000th Hit: January 4, 2008. I couldn't hear two-thirds of the damned thing. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. Buy CD or download online. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. However, the balance between them could have been better. Reviewed in the United Kingdom on July 15, 2011, The singing and playing were both gorgeous. < Slight alternate cover. 2:15 PREVIEW Requiem: De Profundis. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. St. Mary's Cathedral Choir Program. Sadly, this recording is no exception. This recording is too seldom any of those things for very long. Fauré / Duruflé: Requiem I really wanted to like this. --Thomas May In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. 9, is a setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. We work hard to protect your security and privacy. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. N'T it modeled on Fauré ’ s famous counterpart the item on Amazon, his of! 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